Boston Area Classics Calendar
February 2022
Mon., Feb. 14, 1 – 2 p.m.
BROWN UNIVERSITY, Cogut Institute for the Humanities (Zoom)

"Verso Poetics: The Left-Hand of Tradition in Dionne Brand’s The Blue Clerk"

Dionne Brand’s 2018 collection The Blue Clerk: Ars Poetica in 59 Versos has a double-voiced structure with two narrators — a poet narrator and a clerk who edits the poet’s oeuvre. The versos in question are the poet’s left-hand pages, or discarded drafts, which have notionally been withheld from publication. These versos resist the obligatory dialogue with the colonial tradition which Brand has elsewhere described as a “condition of coloniality.” Conversely, the recto pages — the front side, or right-hand pages — address this tradition explicitly. This lecture will analyze Dionne Brand’s verso poetics as a theory of counter-imperial and postcolonial translation and explore potential points of contact with Horace’s poetics of adaptation in the “Ars Poetica.”

brown.zoom.us…
Mon., Feb. 28, 12 – 1 p.m.
HARVARD UNIVERSITY (On Zoom)

"X marks the spot: The Ecbasis captivi and Jerome's Vita Malchi"

John Duffy Society
harvard.zoom.us…
March 2022
Thu., Mar. 3, 5 – 7 p.m.
BOSTON UNIVERSITY (Zoom. Registration required.)

"Cicero with Local Applications: W. E. B. DuBois' Views of the Ancient Mediterranean at the turn of the Twentieth Century"
Registration required.
Co-sponsors: Classics Department, the Core Curriculum, African American Studies and the NEH Distinguished Teaching Professor

Boston University: Black Classicism—Moving Forward
Mon., Mar. 7, 5 p.m.
HARVARD UNIVERSITY, Boylston 237, Harvard Yard, Cambridge, MA 02138

TBA

John Duffy Society
Fri., Mar. 18, 4:30 – 6:15 p.m.
BOSTON UNIVERSITY, CAS B18, 725 Commonwealth Ave, Boston, MA 02215

Topic TBA
Sponsored by the BU Center for the Humanities

Boston University: Myth & Religion In The Ancient World
Mon., Mar. 21, 5:15 p.m.
HARVARD UNIVERSITY, TBA, Cambridge, MA 02138

"Towards a new edition of Sappho: ordering the fragments of Book 1"

Book 1 of the ancient edition of Sappho consisted of all her poems in the sapphic metre. We have quite a lot of evidence for this book (at least, compared to our evidence for all her other books), and this paper looks at one important aspect of it in particular: the order of the poems which it contained. It considers the question under two related headings. First, how much do we actually know about the ordering? For instance, how sure can we be that the famous ‘Ode to Aphrodite’ poem came first in the edition? (Surer than is currently realised, it turns out.) Apart from that first poem, was alphabetical order the rule, or were there further exceptions – and if so, on what basis, and to what effect? Second, how should modern editors approach the issue of how to order the fragments? A modern vulgate order has become established over the past century, and all other things being equal, it is better not to disturb such an ordering without good reason – but are all other things equal, and might there now be a good reason? Or to put it another way, what could a better ordering of the fragments achieve? And if we do reorder, what do we do with the fragments which cannot be firmly placed in any particular location within the book? By considering these points, both theoretical and practical, we can (it is hoped) become more attuned to the editorial shaping of the most-read book of the most-read female writer in antiquity, and thus, perhaps, become better readers of the Sappho known to so many generations across so many centuries throughout the ancient world.

Tue., Mar. 22, 6 p.m.
HARVARD UNIVERSITY, TBA, Cambridge, MA 02138

Lecture: TBA

Ancient Studies at Harvard Visitors Series
April 2022
Tue., Apr. 5, 5 – 6 p.m.
AMHERST COLLEGE, Fayerweather Hall 115, Amherst, MA 01002

Schwab, an art historian and archaeologist, will speak about her most recent discoveries in drawing the broken Parthenon metopes.

Mon., Apr. 18, 5 – 7 p.m.
HARVARD UNIVERSITY, TBD

Book launch for The Invention of Byzantium in Early Modern Europe.

John Duffy Society
Thu., Apr. 21, 5 – 6 p.m.
AMHERST COLLEGE, Fayerweather Hall 115, Amherst, MA 01002

Ammerman, a classical archaeologist, will speak about votive imagery and the cult of the nymphs at Metaponto.

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