---------- Forwarded message ----------
From: Erin Blake <EBlake(a)folger.edu>
Date: Thu, 30 Dec 2010 11:47:07 -0500
With apologies, I've just realized that the following invitation to
comment on DCRM(G), from the chair of the RBMS Bibliographic Standards
Committee, should probably have been sent as well as to the graphic
materials and rare book cataloging listservs. Better late than
never?
Comments should be made by January 3, if at all possible, to give time
to consider them in preparation for the hearing on January 8. Comments
on the draft should be submitted via the "public review" version of the
document in the link below, a DigressIt blog that groups comments and
responses point by point.
Thanks, and please let me know if you have any questions.
Erin. (eblake(a)folger.edu)
-----Original Message-----
From: dcrm-l-bounces(a)lib.byu.edu [mailto:dcrm-l-bounces@lib.byu.edu] On
Behalf Of Stephen A Skuce
Sent: Tuesday, December 14, 2010 10:28 AM
To: dcrm-l(a)lib.byu.edu
Subject: [DCRM-L] DCRM (Graphics): Full draft available for review
Hello,
I'm very pleased to announce that a full draft of Descriptive Cataloging
of Rare Materials (Graphics) is now available for review and comment.
The editors are making available both a pdf of the document and a
"public review" version utilizing DigressIt, which allows for comments
at the level of specific paragraphs, rules, and examples. Comments are
encouraged and are extremely welcome from individuals (or organizations)
whether they have extensive experience or absolutely no experience with
graphic materials. In addition to accommodating comments, the public
review version of the document also contains, within some example texts,
links to images of actual materials that illustrate the specific example
and rule.
DCRM(G) is also the first DCRM to incorporate "RDA alternatives" into
the rules.
This draft is being made available in preparation for a public hearing
on DCRM(G) to be held at the ALA Midwinter Meeting in San Diego, at 7:30
pm on January 8, 2011. All interested parties are encouraged to comment
on the draft, attend the public hearing, or better still, do both. (All
comments on the draft should be submitted via the "public review"
version of the document.)
The editors have worked very hard, and very quickly, to get Version 6.0
ready for review. A few things they'd like to point out:
-- Some appendices are unpolished. Appendix C, currently titled "BIBCO
Standard Records" is very likely to change substantially, and move
toward a new "DCRM Core" record instead.
-- Appendix B, "Collection-Level Records," lacks examples for
extra-illustrated books cataloged as collections. These will be
incorporated later.
-- As with all DCRM publications, examples have been tough. A "[B]"
preface to an example denotes a DCRM(B) placeholder example; a "[GM]"
preface denotes an unverified example from Graphic Materials.
Both versions of the draft -- "Version: 6.0" -- are available on the
Bibliographic Standards Committee website, here:
http://rbms.info/committees/bibliographic_standards/dcrm/dcrmg/dcrmg.htm
l
The DCRM(G) editors are:
Erin C. Blake, Chair
Ellen R. Cordes
James Eason
Mary Mundy
Lenore M. Rouse
Joe Springer
Helena Zinkham
Our congratulations to them.
And to you -- in advance -- our thanks for submitting comments on this
draft of a much-anticipated document.
Stephen Skuce
Chair, RBMS Bibliographic Standards Committee
Program Manager for Rare Books
Institute Archives and Special Collections
MIT Room 14N-118
77 Mass. Ave.
Cambridge MA 02139-4307
617.253.0654
<end forwarded message>
--------------------------------------------------
Erin C. Blake, Ph.D. | Curator of Art & Special Collections | Folger
Shakespeare Library | 201 E. Capitol St. SE | Washington, DC
20003-1004 | office tel. (202) 675-0323 | fax: (202) 675-0328 |
eblake(a)folger.edu | www.folger.edu
---------- Forwarded message ----------
From: "Overholt, John" <overholt(a)fas.harvard.edu>
Lake Conservator for Houghton Library
Reporting to the Preservation Librarian for Houghton Library, the
incumbent serves as book conservator for Houghton Library. The
Conservator treats a broad range of rare books and manuscripts (bound
and unbound).
Typical duties are:
* Serves as the conservator for Houghton Library, HCL's main
repository for special collections
* Treats the Library's book and paper collections, on site and
at the Weissman Preservation Center
* Examines, specifies treatments in consultation with
curators, and treats bound and flat collection materials, including
rare cloth, paper, parchment, and leather bindings, parchment text
blocks, and manuscripts with iron gall ink
* Reviews and treats materials for the Library's use-driven
Quick Repair program, patron requested photography orders, and
exhibitions
* Reviews, treats, and prepares materials for loans, including
constructing enclosures for crating, condition checking, organizing
and packing materials for transit, couriering, installing, and
deinstalling
Qualifications:
* Bachelor's degree and a graduate degree in conservation required
* Two years of experience working in a rare book conservation
facility or extended, formal apprenticeship under a conservator
required
* The incumbent must have a strong knowledge of the history of
book structure; and bookbinding, printing, writing, and papermaking
materials and techniques
* Working knowledge of chemistry and materials science;
disaster planning, response, and mitigation
Please note that we will be accepting applications until Friday,
January 7, 2011. To see full job description and apply, please submit
a cover letter and resume to: Harvard Employment
Site<https://sjobs.brassring.com/1033/asp/tg/cim_jobdetail.asp?jobId=760442&Part…>
For salary range, see grade 056 here:
http://www.employment.harvard.edu/benefits/compensation/index.shtml
Harvard University is an Affirmative Action/Equal Opportunity Employer.
John Overholt
Assistant Curator
The Donald and Mary Hyde Collection of Dr. Samuel Johnson/
Early Modern Books and Manuscripts
Houghton Library
Harvard University
http://blogs.law.harvard.edu/hydeblog/http://twitter.com/john_overholt
---------- Forwarded message ----------
From: "Gilman, Todd" <todd.gilman(a)yale.edu>
Date: Fri, 17 Dec 2010 11:55:34 -0500
Dear Colleagues,
In September 2006, we invited librarians on this list who were working
in academic/research libraries and hold a doctorate in a discipline
other than LIS to participate in an online survey.
Many survey respondents requested that we post information about the
article's publication back to the listserv. We are pleased to report
that the second of two articles appeared in the current issue of the
journal portal: Libraries and the Academy.
As some of you will recall, the first article focused upon survey
respondents' demographic profile, educational background, paths into
librarianship, and range of positions currently held.
The current follow-up piece concentrates on their experiences in the
workplace and views about the advantages and disadvantages of academic
librarianship as a career:
"Academic/Research Librarians with Subject Doctorates: Experiences and
Perceptions, 1965-2006." portal: Libraries and the Academy 10, no. 4
(October 2010): 399-412.
Those whose institutions subscribe to portal can see the current article here:
HTML:
http://muse.jhu.edu/journals/portal_libraries_and_the_academy/v010/10.4.gil…
PDF:
http://muse.jhu.edu/journals/portal_libraries_and_the_academy/v010/10.4.gil…
Additionally, for those who missed the first article, here's the citation:
"Academic/Research Librarians with Subject Doctorates: Data and Trends
1965-2006." portal: Libraries and the Academy 8, no. 1 (January 2008):
31-52.
Those whose institutions subscribe to portal can see the first article here:
HTML:
http://muse.jhu.edu/journals/portal_libraries_and_the_academy/v008/8.1lindq…
PDF:
http://muse.jhu.edu/journals/portal_libraries_and_the_academy/v008/8.1lindq…
Many thanks to everyone who responded to our survey! The data we
gathered allowed us to write the first two in-depth articles on
academic librarians with subject doctorates based on their own
experiences.
Best wishes,
Todd Gilman, Librarian for Literature in English, Yale University Library &
Thea Lindquist, Associate Faculty Director for Collections Services,
Research, and Instruction, University of Colorado at Boulder Libraries
---------- Forwarded message ----------
From: Deirdre Stam <Deirdre.Stam(a)liu.edu>
Date: Thu, 9 Dec 2010 13:31:51 -0500
(This is a preliminary notice. Please contact Linda Ryan [see below]
to express interest. An announcement in the HR department will soon
be available. -- DCS)
The Palmer School of Library and Information Science of Long Island
University seeks a faculty member who will also serve as coordinator
for its well-established Rare Book and Special Collections
concentration.
In addition to teaching in this subject area, the successful candidate
will coordinate the concentration, administer the School's several
cooperative arrangements with other rare books programs, and
participate fully in the academic life of the Palmer School. For the
rare book and special collections specialty (which is centered at the
School's site in Manhattan), a broad knowledge of book history, the
physical "book" in its many forms, printed ephemera, printing history,
cultural archives, publishing and distribution history, and current
digital initiatives in this sub-field is essential. A record of
professional activity within the rare book and special collections
field and among its institutions is also necessary. Additionally, the
candidate should be prepared to teach general courses in the library
and information science field and to pursue a research agenda
appropriate to the programs of the Palmer School. In addition to a
Ph.D., the ideal candidate will possess a MLS and/or significant
employment history in a rare book/special collections library.
This opening is occuring because of the retirement of the current
incumbent in August, 2011.
The Palmer School is based on the C.W. Post campus of Long Island
University in Brookville, N.Y. and also offers programs in Manhattan,
Westchester and Brentwood, N.Y. The School has a full-time faculty of
twelve and offers a Master's in Library and Information Science, as
well as a Ph.D. in Information Science. The School has approximately
325 FTE Master's students and 60 FTE doctoral students.
About the University: "In its ninth decade of providing access to the
American dream through excellence in higher education, Long Island
University is a one of the largest and most comprehensive private
universities in the country, offering 590 undergraduate, graduate and
doctoral degree programs."
Rank and salary commensurate with experience. Minimum starting salary by rank:
Full Time full professor annual $90,080
Full Time Associate professor annual $79,273
Full Time Assistant professor annual $72,089
Full Time Instructor professor annual $64,857
To express interest, contact:
Linda M. Ryan (M.L.S., J.D.), Director, Palmer School of Library and
Information Science, Long Island University
720 Northern Blvd., Brookville, NY 11548-1327
516.299.4109 linda.ryan(a)liu.edu
Gillis, Jane
<jane.gillis(a)yale.edu> Wed, Dec 8, 2010 at 4:06 PM
RBMS Regional Workshop: Building Collections: Acquiring Materials and
Working with the Antiquarian Book Trade
Thursday, February 10, 2011, 9:00 a.m. - 4:00 p.m.
University of California, Berkeley
C. V. Starr East Asian Library, Saul and Sherry Yeung Art History Seminar Room
Berkeley, California
The workshop is primarily intended for librarians working at all types
of institutions and with all levels of budgets who are responsible for
acquisition and collection development of special collections
materials. The session will also be of interest to individual
collectors and dealers. The purpose is to provide attendees with
practical information which can be utilized for building collections
and developing beneficial relationships with members of the
antiquarian book trade. Although the emphasis will be on printed
materials, manuscripts and archives will also be discussed. The
workshop will include the context and history of special collections,
collection development, and institutional interaction with the trade,
particularly in the United States. Practical matters will include
materials on the market, auctions, online sources, comparing prices,
purchasing collections, deaccessioning, and provenance issues. A full
reading list will be provided.
Presenters:
E.C. Schroeder, Head of Technical Services, Beinecke Rare Book &
Manuscript Library, Yale University)
Daniel J. Slive, Head of Special Collections, Bridwell Library,
Perkins School of Theology, Southern Methodist University
Registration:
Deadline is January 14, 2011. Limited to 30 participants.
Register online at:
http://www.acrl.org/ala/mgrps/divs/acrl/events/buildingcollections.cfm
Fees:
ACRL member - $189
Nonmember - $239
Questions:
Contact Jane Gillis, Yale University Library,
Jane.gillis(a)yale.edu<mailto:Jane.gillis@yale.edu> or 203-432-2633
Jane
Jane Gillis
Chair, RBMS Regional Workshops Committee
Rare Book Cataloger
Yale University Library
jane.gillis(a)yale.edu
phone: 203-432-2633
fax: 203-432-4047
--
June Samaras
KALAMOS BOOKS
(For Books about Greece)
2020 Old Station Rd
Streetsville,Ontario
Canada L5M 2V1
Tel : 905-542-1877
E-mail : kalamosbooks(a)gmail.com
www.kalamosbooks.comhttp://kalamosb.alibrisstore.com/http://www.antiqbook.com/books/bookseller.phtml/kal
http://www.nybooks.com/articles/archives/2010/dec/23/library-three-jeremiad…
The Library: Three Jeremiads
December 23, 2010
Robert Darnton
When I look back at the plight of American research libraries in 2010,
I feel inclined to break into a jeremiad. In fact, I want to deliver
three jeremiads, because research libraries are facing crises on three
fronts; but instead of prophesying doom, I hope to arrive at a happy
ending.
I can even begin happily, at least in describing the state of the
university library at Harvard. True, the economic crisis hit us hard,
so hard that we must do some fundamental reorganizing, but we can take
measures to make a great library greater, and we can put our current
difficulties into perspective by seeing them in the light of a long
history. Having begun in 1638 with the 400 books in John Harvard’s
library, we now have accumulated nearly 17 million volumes and 400
million manuscript and archival items scattered through 45,000
distinct collections. I could string out the statistics indefinitely.
We collect in more than 350 languages and many different formats. We
have 12.8 million digital files, more than 100,000 serials, nearly 10
million photographs, online records of 3.4 million zoological
specimens, and endlessly rich special collections, including the
largest library of Chinese works outside of China (with the exception
of the Library of Congress) and more Ukrainian titles than exist in
Ukraine.
We want to make it possible for other people to consult those
collections by digitizing large portions of them and making them
available, free of charge, to the rest of the world from an online
repository. We group the material around themes such as women at work,
immigration, epidemics and disease control, Islamic heritage, and
scientific explorations—2.3 million pages in all. This Open
Collections Program, as we call it, is part of a general policy of
opening up our library to the outside world and sharing our
intellectual wealth. The latest project is devoted to reading, its
practices and history. It involved the digitization of more than
250,000 pages from manuscripts and rare books, including richly
annotated works such as Melville’s copy of Emerson’s essays and
Keats’s copy of Shakespeare.
California / Rebecca Solnit
There are few places aside from research libraries where rare books
and e-books can be brought together. At Harvard we use combinations of
them for teaching as well as research. I now teach a seminar on the
history of books in our rare book library. It begins with Gutenberg.
The students investigate the origins of printing by examining a
Gutenberg Bible, the real thing, and they do not just stare at it from
a respectful distance, but they are invited to leaf (carefully)
through its pages in order to appreciate the varieties of rubrication
and typographical design. The seminar ends in a high-tech lab on the
bottom floor of Widener Library, where experts in digitization explain
how to adjust nuances of color while scanning medieval manuscripts.
Despite financial pressure, we therefore are advancing on two fronts,
the digital and the analog. People often talk about printed books as
if they were extinct. I have been invited to so many conferences on
“The Death of the Book” that I suspect it is very much alive.
In fact, more printed books are produced each year than the year
before. Soon there will be a million new titles published worldwide
each year. A research library cannot ignore this production on the
grounds that our readers are now “digital natives” living in a new
“information age.” If the history of books teaches anything, it is
that one medium does not displace another, at least not in the short
run. Manuscript publishing continued to thrive for three centuries
after Gutenberg, because it was often cheaper to produce a small
edition by hiring scribes than by printing it. The codex—a book with
pages that you turn rather than a scroll that you read by unrolling—is
one of the greatest inventions of all time. It has served well for two
thousand years, and it is not about to become extinct. In fact, it may
be that the new technology used in print-on-demand will breathe new
life into the codex—and I say this with due respect to the Kindle, the
iPad, and all the rest.
But without neglecting our collections of printed books, we must forge
ahead on the other, the digital front. Our purchases of e-resources
increased by 25 percent at Harvard last year. We are expanding our
enormous Digital Repository Service in a campaign not just to save
digital texts but to help solve the problem of preserving them. A new
Library Lab is inventing techniques for digital browsing and the
preservation of e-mail, websites, and born-digital archives. Our
open-access repository, DASH, is making current articles by Harvard
faculty available online and free of charge throughout the world. And
we plan to collaborate with MIT in building joint digital collections.
In short, we are looking far ahead into the twenty-first century, and
we hope to help shape the information society of the future.
Still, there is no disguising the fact that research libraries are
going through hard times—times so hard that they are inflicting
serious damage on the entire world of learning. We face three
especially difficult problems, which I would like to discuss by
drawing on my own experience, recounted in the form of three
jeremiads.
Jeremiad 1
In 1998 I had my first encounter with a problem that now pervades the
academic world. It can be described as a vicious circle: the
escalation in the price of periodicals forces libraries to cut back on
their purchase of monographs; the drop in the demand for monographs
makes university presses reduce their publication of them; and the
difficulty in getting them published creates barriers to careers among
graduate students. Although librarians have lived with this problem
for decades, faculty are only dimly aware of its existence—not
surprisingly, because libraries pay for the journals, professors
don’t.
When this problem first dawned on me as chairman of Princeton’s
library committee in the 1980s, the price of journals had already
increased far more than the inflation rate; and the disparity has
continued until today. In 1974 the average cost of a subscription to a
journal was $54.86. In 2009 it came to $2,031 for a US title and
$4,753 for a non-US title, an increase greater than ten times that of
inflation. Between 1986 and 2005, the prices for institutional
subscriptions to journals rose 302 percent, while the consumer price
index went up by 68 percent. Faced with this disparity, libraries have
had to adjust the proportions of their acquisitions budgets. As a
rule, they used to spend about half of their funds on serials and half
on monographs. By 2000 many libraries were spending three quarters of
their budget on serials. Some had nearly stopped buying monographs
altogether or had eliminated them in certain fields.
Another rule of thumb used to prevail among the better university
presses. They could count on research libraries purchasing about eight
hundred copies of any new monograph. By 2000 that figure had fallen to
three or four hundred, often less, and not enough in most cases to
cover production costs. Therefore, the presses abandoned subjects like
colonial Latin America and Africa. They fell back on books about local
folklore or cooking or birds, works that fit into niches or could be
marketed to a broader public but that had little to do with scholarly
research. And graduate students fell victim to the notorious syndrome
of publish or perish.
As president of the American Historical Association in 1999, I thought
I could do something, at least in a small way, to reverse this trend.
I persuaded the Andrew W. Mellon Foundation to finance a program,
called Gutenberg-e, that would award prizes to the best Ph.D. theses
in the most endangered fields. The prize money would subsidize the
cost of converting the dissertations into books, books of a new kind,
electronic books that would take advantage of the new technology to
incorporate all sorts of new elements—film clips, recordings, images,
and whole collections of documents. The originality and the quality of
these e-books would legitimate a new form of scholarly communication
and revive the monograph.
One of the first questions that the people at Mellon asked me was
“What is your business plan?” Although I had never heard of a business
plan, I soon began to appreciate the economic conditions of
scholarship. Columbia University Press developed a program to sell the
e-books to research libraries as a package for a moderate subscription
price. The libraries responded favorably, but the scholars had
difficulty in producing their books on time, the pipeline became
clogged, and the delayed output hurt sales. In the end, after seven
years of struggle, we produced a fine series of thirty-five books, and
we had begun to cover our costs. But Columbia, like many university
presses, came under severe financial pressure. It decided that it
could not continue the series after the Mellon grant ran out. The
books were assimilated into the Humanities E-Book program developed by
the American Council of Learned Societies, and they are still
available online. But Gutenberg-e did not open up an escape route from
the problems of sustainability that were plaguing academic life.
Jeremiad 2
A few years later, “sustainability” had become a buzz word, and the
inflationary spiral of journal prices had continued unabated. In 2007
I became director of the Harvard University Library, a strategic
position from which to take the full measure of the business
constraints on academic life. Although economic conditions had
worsened, the faculty’s understanding of them had not improved.
How many professors in chemistry can give you even a ballpark estimate
of the cost of a year’s subscription to Tetrahedron (currently
$39,082)? Who in medical schools has the foggiest notion of the price
of The Journal of Comparative Neurology ($27,465)? What physicist can
come up with a reasonable guess about the average price of a journal
in physics ($3,368), and who in the humanities can compare that with
the average price of a journal in language and literature ($275) or
philosophy and religion ($300)?
Librarians who buy these subscriptions for the use of faculty and
students can shower you with statistics. In 2009, Elsevier, the giant
publisher of scholarly journals based in the Netherlands, made a $1.1
billion profit in its publishing division, yet 2009 was a disastrous
year for library budgets. Harvard’s seventy-three libraries cut their
expenditures by more than 10 percent, and other libraries suffered
even greater reductions, but the journal publishers were not
impressed. Many of them raised their prices by 5 percent and sometimes
more. This year, the publishers of the several Nature journals
announced that they were increasing the cost of subscriptions for
libraries in the University of California by 400 percent. Profit
margins of journal publishers in the fields of science, technology,
and medicine recently ran to 30–40 percent; yet those publishers add
very little value to the research process, and most of the research is
ultimately funded by American taxpayers through the National
Institutes of Health and other organizations.
University libraries have little defense against excessive pricing. If
they cancel a subscription, the faculty protest about being cut off
from the circulation of knowledge, and the publishers impose drastic
cancellation fees. Those fees are written into contracts, which often
cover “bundles” of journals, sometimes hundreds of them, over a period
of several years. The contracts provide for annual increases in the
cost of the bundle, even though a library’s budget may decrease; and
the publishers usually insist on keeping the terms secret, so that one
library cannot negotiate for cheaper rates by citing an advantage
obtained by another library. A recent court case in the state of
Washington makes it seem possible that publishers will no longer be
able to prevent the circulation of information about their contracts.
But they continue to sell subscriptions in bundles. If in negotiating
the renewal of a contract a library attempts to unbundle the offer in
order to eliminate the least desirable journals, the publishers
commonly raise the prices of the other journals so much that the total
cost remains the same.
While prices continued to spiral upward, professors became entrapped
in another kind of vicious circle, unaware of the unintended
consequences. Reduced to essentials, it goes like this: we academics
devote ourselves to research; we write up the results as articles for
journals; we referee the articles in the process of peer reviewing; we
serve on the editorial boards of the journals; we also serve as
editors (all of this unpaid, of course); and then we buy back our own
work at ruinous prices in the form of journal subscriptions—not that
we pay for it ourselves, of course; we expect our library to pay for
it, and therefore we have no knowledge of our complicity in a
disastrous system.
Professors expect services from their libraries, even if they never
set foot in them and consult Tetrahedron or The Journal of Comparative
Neurology from computers in their labs. A few, however, have stared
the problem in the face and seized it by the horns. In 2001 scientists
at Stanford and Berkeley circulated a petition calling for their
colleagues to submit articles only to open-access journals—that is,
journals that made them available from digital repositories free of
charge, either immediately or after a delay.
The effectiveness of such journals had been proven by BioMed Central,
a British enterprise, which had been publishing a whole series of them
since 1999. Led by Harold Varmus, a Nobel laureate who is now director
of the National Cancer Institute, American researchers allied with the
Public Library of Science founded their own series, beginning with
PLoS Biology in 2003. Foundations provided start-up funding, and
ongoing publication costs were covered by the research grants received
by the authors of the articles. Thanks to rigorous peer review and the
prestige of the authors, the PLoS publications were a great success.
According to citation indexes and statistics of hits, open-access
journals were consulted more frequently than most commercial
publications. By 2008, when the National Institutes of Health required
the recipients of its grants to make their work available through open
access—although it permitted an embargo of up to twelve months—cracks
were appearing everywhere in the commercial monopoly of publishing in
the medical sciences.
But what could be done in all the other disciplines, especially those
in the humanities and social sciences, where grants are not so
generous, if they exist at all? Several universities passed
resolutions in favor of open access and established digital
repositories for articles, but the compliance rate of the professors,
often 4 percent or less, made them look ineffective. At Harvard we
developed a new model. By a unanimous vote on February 12, 2008,
professors in the Faculty of Arts and Sciences bound themselves to
deposit all of their future scholarly articles in an open-access
repository to be established by the library and also granted the
university permission to distribute them.
This arrangement had an escape clause: anyone could refuse to comply
by obtaining a waiver, which would be granted automatically. In this
way, professors retained the liberty to publish in closed-access
journals, which might refuse to accept an article available elsewhere
on open access or might require an embargo. This model has now spread
to other faculties at Harvard and to other universities, but it is not
a business model. If the monopolies of price-gouging publishers are to
be broken, we need more than open-access repositories. We need
open-access journals that will be self-sustaining.
A supplementary program at Harvard now subsidizes publishing fees for
articles submitted to open-access journals, up to a yearly limit, for
each professor. The idea is to reverse the economics of journal
publishing by covering costs, rationally determined, at the production
end instead of by paying for an exorbitant profit in addition to the
production costs at the consumption end. If other universities adopt
the same policy and if professors apply pressure on editorial boards,
journals will shift, little by little, one after the other, to open
access. The Compact for Open-Access Publishing Equity (COPE), launched
this year, is an attempt to create a coalition of universities to push
journal publishing in this direction. It also envisages subsidies for
authors who cannot expect financial help from grants or their home
universities.
If COPE succeeds, it could save billions of dollars in library
budgets. But it will only succeed in the long run. Meanwhile, the
prices of commercial journals continue to rise, and the balance sheets
of university presses continue to sink into the red. In 2003 Walter
Lippincott, the director of Princeton University Press, predicted that
twenty-five of the eighty-two university presses in the United States
would disappear within five years. They are still alive, but they are
barely holding on by their fingernails. They may find a second life by
publishing online and by taking advantage of technological innovations
such as the Espresso Book Machine. This can download an electronic
text from a database, print it out within four minutes, and make it
available at a moderate price as an instant print-on-demand paperback.
But just when this glimmer of hope appeared on the horizon, it was
overshadowed by the most powerful technological innovation of them
all: relevance-ranking search engines linked to gigantic databases, as
in the case of Google Book Search, which is already providing readers
with access to millions of books. This brings me to Jeremiad 3.
Jeremiad 3
Google represents the ultimate in business plans. By controlling
access to information, it has made billions, which it is now investing
in the control of the information itself. What began as Google Book
Search is therefore becoming the largest library and book business in
the world. Like all commercial enterprises, Google’s primary
responsibility is to make money for its shareholders. Libraries exist
to get books to readers—books and other forms of knowledge and
entertainment, provided for free. The fundamental incompatibility of
purpose between libraries and Google Book Search might be mitigated if
Google could offer libraries access to its digitized database of books
on reasonable terms. But the terms are embodied in a 368-page document
known as the “settlement,” which is meant to resolve another conflict:
the suit brought against Google by authors and publishers for alleged
infringement of their copyrights.
Despite its enormous complexity, the settlement comes down to an
agreement about how to divide a pie—the profits to be produced by
Google Book Search: 37 percent will go to Google, 63 percent to the
authors and publishers. And the libraries? They are not partners to
the agreement, but many of them have provided, free of charge, the
books that Google has digitized. They are being asked to buy back
access to those books along with those of their sister libraries, in
digitized form, for an “institutional subscription” price, which could
escalate as disastrously as the price of journals. The subscription
price will be set by a Book Rights Registry, which will represent the
authors and publishers who have an interest in price increases.
Libraries therefore fear what they call “cocaine pricing”—a strategy
of beginning at a low rate and then, when customers are hooked,
ratcheting up the price as high as it will go.
To become effective, the settlement must be approved by the district
court in the Southern Federal District of New York. The Department of
Justice has filed two memoranda with the court that raise the
possibility, indeed the likelihood, that the settlement could give
Google such an advantage over potential competitors as to violate
antitrust laws. But the most important issue looming over the legal
debate is one of public policy. Do we want to settle copyright
questions by private litigation? And do we want to commercialize
access to knowledge?
I hope that the answer to those questions will lead to my happy
ending: a National Digital Library—or a Digital Public Library of
America (DPLA), as some prefer to call it. Google demonstrated the
possibility of transforming the intellectual riches of our libraries,
books lying inert and underused on shelves, into an electronic
database that could be tapped by anyone anywhere at any time. Why not
adapt its formula for success to the public good—a digital library
composed of virtually all the books in our greatest research libraries
available free of charge to the entire citizenry, in fact, to everyone
in the world?
To dismiss this goal as naive or utopian would be to ignore digital
projects that have proven their worth and feasibility throughout the
last twenty years. All major research libraries have digitized parts
of their collections. Since 1995 the Digital Library Federation has
worked to combine their catalogues or “metadata” into a general
network. More ambitious enterprises such as the Internet Archive,
Knowledge Commons, and Public.Resource .Org have attempted
digitization on a larger scale. They may be dwarfed by Google, but
several countries are now determined to out-Google Google by scanning
the entire contents of their national libraries.
In December 2009 President Nicolas Sarkozy of France announced that he
would make €750 million available for digitizing the French cultural
“patrimony.” The National Library of the Netherlands aims to digitize
within ten years every Dutch book, newspaper, and periodical produced
from 1470 to the present. National libraries in Japan, Australia,
Norway, and Finland are digitizing virtually all of their holdings;
and Europeana, an effort to coordinate digital collections on an
international scale, will have made over ten million objects—from
libraries, archives, museums, and audiovisual holdings—freely
accessible online by the end of 2010.
If these countries can create national digital libraries, why can’t
the United States? Because of the cost, some would argue. Far more
works exist in English than in Dutch or Japanese, and the Library of
Congress alone contains 30 million volumes. Estimates of the cost of
digitizing one page vary enormously, from ten cents (the figure cited
by Brewster Kahle, who has digitized over a million books for the
Internet Archive) to ten dollars, depending on the technology and the
required quality. But it should be possible to digitize everything in
the Library of Congress for less than Sarkozy’s €750 million—and the
cost could be spread out over a decade.
The greatest obstacle is legal, not financial. Presumably, the DPLA
would exclude books currently being marketed, but it would include
millions of books that are out of print yet covered by copyright,
especially those published between 1923 and 1964, a period when
copyright coverage is most obscure, owing to the proliferation of
“orphans”—books whose copyright holders have not been located.
Congress would have to pass legislation to protect the DPLA from
litigation concerning copyrighted, out-of-print books. The rights
holders of those books would have to be compensated, yet many of them,
especially among academic authors, might be willing to forgo
compensation in order to give their books new life and greater
diffusion in digitized form. Several authors protested against the
commercial character of Google Book Search and expressed their
readiness to make their work available free of charge in memoranda
filed with the New York District Court.
Perhaps even Google itself could be enlisted in the cause. It has
digitized about two million books in the public domain. It could turn
them over to the DPLA as the foundation of a collection that would
grow to include more recent books—at first those from the problematic
period of 1923–1964, then those made available by their rights
holders. Google would lose nothing by this generosity; each digitized
book that it made available could, if other donors agree, be
identified as a contribution from Google; and it might win admiration
for its public-spiritedness.
Even if Google refused to cooperate, a coalition of foundations could
provide enough to finance the DPLA, and a coalition of research
libraries could provide the books. By working systematically through
their holdings, a great collection could be formed. It would conform
to the highest standards in its bibliographical apparatus, its
scanning, its editorial decisions, and its commitment to preservation
for the use of future generations.
Should the Google Book Search agreement not be upheld by the court,
its unraveling would come at an extraordinary moment in the
development of an information society. We have now reached a period of
fluidity, uncertainty, and opportunity. Things have come undone, and
they can be put together in new ways, subordinating private profit to
the public good and providing everyone with access to a commonwealth
of culture.
Would a Digital Public Library of America solve all the other
problems—the inflation of journal prices, the economics of scholarly
publishing, the unbalanced budgets of libraries, and the barriers to
the careers of young scholars? No. Instead, it would open the way to a
general transformation of the landscape in what we now call the
information society. Rather than better business plans (not that they
don’t matter), we need a new ecology, one based on the public good
instead of private gain. This may not be a satisfactory conclusion.
It’s not an answer to the problem of sustainability. It’s an appeal to
change the system.
—November 23, 2010
Dear All,
Please see the call for papers for the October 13-16, 2011, biennial symposium of the Modern Greek Studies Association in New York.
I will organize a panel on library / archival / bibliographic matters if there is interest -- we will need at least 4 presenters (paper givers and a discussant) and a chair. It will have been six years since the last library-related panel was presented at an MGSA symposium (Chicago, 2005).
Possible topics for a panel include recent developments at the major Modern Greek collections in North America, a report on the status of a "Modern Greek Resources Project" and the December 2006 meeting at the Gennadius Library in Athens, as well as papers on the development and history of Modern Greek collections at individual libraries. Many libraries have suffered severe budget cutbacks in acquisitions and personnel funding, so in some cases the "recent developments" are not good news, but it might be helpful to hear of creative ways different institutions have handled the cutbacks.
I will propose to do a paper on improvements in LC's Modern Greek and Cypriot acquisitions since 2006 and on changes in the acquisitions and cataloging procedures for Greek and Cypriot materials.
If you are interested in giving a paper as part of a panel, please get in touch with me by return email or by phone (202/707-2224). You don't need to do the final abstract at this point, but do give me an idea of the topic and approach of your presentation.
Note also that if there are not enough people for a separate library panel, individuals do have the option of submitting a proposal for a paper to the program committee, having it accepted or rejected, and if the former, assigned to a panel by the committee.
Please note that neither the MGSA or the CoHSL can provide any funding for travel or living expenses in NYC -- it remains to be seen what the official hotel will be and what the rates are. I will keep the list posted on the panel as plans develop. In the meantime, please let me know if you have any questions,
Best to all,
Harry
---------------------------
MGSA SYMPOSIUM 2011 - CALL FOR PAPERS
MGSA 2011, the twenty-second biennial international symposium of the Modern Greek Studies Association, will take place October 13-16, 2011 in New York, and will be coordinated by the Hellenic Studies Program at New York University (http://hellenic.as.nyu.edu/page/home)
Abstracts for individual papers and proposals for entire panels are invited on any aspect of modern Greek culture, literature, language, history, society, politics, economics, and the arts.
Possible Topics for MGSA 2011 include:
Interdisciplinary approaches to environmental issues; popular culture and media; cultural change; spaces of cross-cultural and intellectual fertilization between the Hellenic world and the rest of the world; the emergence of new urban and suburban environments; Greek literature in national and post-national contexts; new economies of labor; poverty, economic marginalization, and class relations; Greece and geopolitics in the wider region; Cyprus and interregional relationships; diaspora and transnational Greek worlds; issues of pedagogy and curriculum development, relating to Modern Greek Studies as a field.
General Guidelines for Submission:
All submissions will be judged by blind review on the basis of their individual merit, even when part of a submitted panel. Abstracts of 300-400 words should be submitted electronically (preferably in MS Word format) to the MGSA Executive Director: Prof. Victor Papacosma: mgsa(a)kent.edu<mailto:mgsa@kent.edu>
Abstracts will be evaluated 1) in relation to the innovativeness of the approaches they employ, 2) in terms of their active engagement with the existing literature, and 3) the narrative coherence of their aims and objectives.
Abstracts should reflect original work that has not been previously presented or announced in other venues. Previously presented or announced work compromises the blind review process and risks rejection for procedural reasons.
Each abstract should explain briefly the scope and focus of the proposed topic, its broader significance for its discipline and the field of Modern Greek Studies, and the methodology employed. Although the decisions of the committee are final, short commentaries on the rationale for rejected abstracts can be provided upon request.
Jointly authored abstracts and papers are welcome.
Each abstract should be accompanied by a separate page that contains the name(s) of the author(s), affiliation(s), postal and email addresses, and telephone numbers. All papers will have a 20-minute time limit, which will be strictly enforced. Papers of absent authors will not be read at the Symposium under any circumstances. The Program Committee will assign Chairs to all panels. No one may present more than one paper, or act as presenter and commentator on the same panel. Audio-visual requirements should be indicated at the time of submission.
Proposals for entire panels of no more than 4 participants may be submitted by the panel organizer in the same manner as individual abstracts and should include a) abstracts and contact information for each of the presenters and b) a panel abstract of 300-400 words by the panel's organizer providing a description of the panel and explaining the connections among the individual papers.
In cases where a panel is rejected but an individual paper merits inclusion, this paper will be accepted as an individual entry in the Symposium.
Symposium participants are expected to cover their own expenses. There is a small fund available to defray costs for participating graduate students.
Abstracts or inquiries may be submitted via email to Prof. Victor Papacosma, MGSA Executive Director: mgsa(a)kent.edu<mailto:mgsa@kent.edu>
Deadlines:
The deadline for submissions of abstracts for individual papers is
15 January 2011. Deadline for abstracts of organized panels is
30 January 2011. There will be no extensions of the deadlines. Final decisions will be announced by March 2011.
Registration and Fees:
A pre-registration fee of US $75 for accepted abstracts will be required. All participants must be current members of the MGSA before the Symposium convenes. Specific information about methods of payment for pre-registration fees and MGSA membership will be announced in due course.
Program Committee members:
Elsa Amanatidou, Chair (Brown University), Athena Athanasiou (Panteio University), Eleni Bastea (The University of New Mexico), Elizabeth Davis (Princeton University), Yiorgos Kalogeras (Aristotle University), Kostis Kornetis (Brown University), Dimitris Papadimitriou (University of Manchester), Eustratios Papaioannou (Brown University), Lidia Santarelli (NYU), George Syrimis (Yale University), Liana Theodoratou (NYU).
The Modern Greek Studies Association, founded in 1968, is a US-based, non-profit organization dedicated to the promotion of Modern Greek studies in the United States and Canada. It publishes the Journal of Modern Greek Studies (The Johns Hopkins University Press) and the MGSA Bulletin. Its publications also include the Census of Modern Greek Literature, 1824-1987 (Dia M.L. Philippides, editor) and Greece in Modern Times: An Annotated Bibliography of Works Published in English in Twenty-Two Academic Disciplines during the Twentieth Century (Stratos E. Constantinidis, editor).
Information regarding the Association, including membership, may be obtained from the MGSA Executive Director or from the MGSA website at http://www.mgsa.org
---------- Forwarded message ----------
From: James Moses <primarydat(a)aol.com>
Date: Fri, Dec 3, 2010 at 10:39 AM
Primary Research Group has published The Survey of Library & Museum
Digitization Projects, ISBN 157440-158-0. The nearly 200 page report looks
closely at how academic, public and special libraries and museums are
digitizing special and other collections. The study is based on detailed
data on costs, equipment use, staffing, cataloging, marketing, licensing
revenue and other facets of digitization projects from nearly 100 libraries
and museums in the United States, the UK, continental Europe, Canada, and
Australia. The study covers and presents data separately for digitizers of
photographs, film and video, music and audio, text and re-digitization of
existing digital mediums.
Just a few of the study’s many findings are that:
• Digitization budgets come largely through non-budgetary allocations. The
library or museum annual budget accounted for only a little over 35% of the
overall digitization budget.
• Prospects for digitization funding in the United States were much better
than prospects outside of the USA; about 28.6% of US survey participants
considered the outlook pretty good or excellent while only 5.88% of those
from other countries shared this optimism.
• The mean annual number of staff hours expended per institution on
digitization projects was 2,272 with a range of 0 to 24,000 (or about 12-13
full time employees spending all of their time on digitization projects).
• Only 3.45% of institutions sampled have outsourced rights,
permissions or
copyright management to any third party.
• Overall survey participants say that over the past three years they have
outsourced close to 27% of their overall digitization work.
• Close to 54% of the organizations sampled have some form of
digital asset
management software and an additional 8.3% share a system with another
department or division of their institution.
• 14.61% used the servers of some kind of third party service;
this was most
popular in the USA, where one sixth of respondents used a third party server
service for digital content storage.
• 16.05% of organizations surveyed license or rent any aspect of their
digital collection to any party.
• Digitizers whose primary medium was music and audio spent
56.25% of their
total digitization staff time on cataloging and metadata related issues.
• Data is also broken out by budget size, region, type of institution, and
other factors.
For further information view our website at www.PrimaryResearch.com
--
June Samaras
KALAMOS BOOKS
(For Books about Greece)
2020 Old Station Rd
Streetsville,Ontario
Canada L5M 2V1
Tel : 905-542-1877
E-mail : kalamosbooks(a)gmail.com
www.kalamosbooks.comhttp://kalamosb.alibrisstore.com/http://www.antiqbook.com/books/bookseller.phtml/kal
Some special, beautiful and/or interesting books for your library - or for
Christmas gifts to friends....
Special 20% discount till Dec 31st for items in this list and for books
listed on line in the subject categories
"Christmas" and "Gift Books"
(and for last minute stocking stuffers see a collection of Harlequin
Romances in Greek <vbg>)
*Eikones Tis Athenas / Images of Athens . *Athens: National gallery/
Alexander Soutzos Museum, 1998. First Thus. Laminated HC. As New Himerologia
1999 - a large format [unused] desk diary and address book, illustrated with
lovely etchings and paintings of Athens by Greek and foreign artists.- a
nice gift item. Unpaginated. $40.00
*About, Edmond. The King of the Mountains (Le Roi Des Montagnes)GNES. *ill.
George Avison.. New York: Cupples & Leon, 1924. Hard Cover. Near Fine / Near
Fine. First published as Le Roi des Montagnes (1856) About's popular novel
satirizes the famous Klephts Klephts of 19thC. Greece. His portrait of
Hadj-Stavros owes something to the real life brigand of the mountains
Christodoulos Hadji-Petros (whose charm was sufficient to attract Lady Jane
Digby during her adventurous stay in Greece) 300p. illus This is an original
vintage copy and NOT a modern reprint from a digitized copy. $45.00
*Benizelos, Ioannis [Venizelos] 1735-1807. Istoria Ton Athenon [Tomos A,
Tomos B]. *Athens: Ekdotike Athinon, 1986. First Thus. Leather Style
Binding.2 volume Boxed Set. Fine / No Jacket (as issued). Istoria Ton
Athenon. Me prolegomena Ioannou Gennadiou. Epimeleia Ekdoses I.Kokkona - G
Mpokou . Epistemoniki Epopteia kai Parousiase M.I.Manousaka. . This edition
produced by The Alexander S.Onassis Public Benefit Foundation in a handsome
decorative blue leather binding protected in a blue cloth box. Volume 1
(Pages 1- 240) Vol 2 (Pages 242-500) illus. index. A nice set for a gift !
$50.00
*Dimacopoulos, Jordan [Iordanes Demakopoulos]. Ho George Whitmore sten
Kerkyra : to Anaktoro ton Hagion Michael kai Georgiou kai to Mnemeio
Maitland / George Whitmore on Corfu : the Palace of St. Michael and St.
George and the Maitland Monument. *Athens: Greek Ministry of Culture, 1994.
First Edition. Hardcover. As New / As New. ISBN: 9607254082. Parallel Greek
and English texts describing two of the lovely Neo-Classical buildings in
Corfu - the the Palace of St. Michael and St. George anthe Monument to Sir
Thomas Maitland - designed by George Whitmore and built during the British
protectorate of the Ionian islands c182l. 04 p. : ill. (some col.) $95.00
*Draper, Charlotte Whitney. The American Farm School of Thessaloniki: A
family album = He Amerikanike Georgike Schole Thessalonikes : mia historia
se Photographies. *Thessaloniki: American Farm School, 1994. First Edition.
Original Wraps. Signed by Author. Very Good ISBN: 0964041103. The The
American Farm School was established By John Henry House in 1902 . This book
vividly illustrates with contemporary photographs its development and
successes despiite the disruptions of two World Wars and a Civil War.
Parallel text in English and Greek. 153p. illus . Signed by author on title
page $40.00
*Kountoura-Galake, Eleonora. Hoi skoteinoi aiones tou Vyzantiou (7os-9os
ai.) / The dark centuries of Byzantium (7th-9th c.). *Athens: Ethniko
Hidryma Ereunon,, 2001. First Edition. New ISBN: 9603710156 . Text in Greek,
English, French and German. . Author: Eleonora Kountoura-Galake Publisher:
Athena : Ethniko Hidryma Ereunon, 2001. Series: Diethne Symposia, 9 Notes:
Description: 462 p. : ill. ; 24 cm. Series Title: Diethne Symposia, 9 Other
Titles: Dark centuries of Byzantium (7th-9th c.) $75.00
*Lampakes, Stelios. He Byzantine Mikra Asia ( 6os-12os ai) Byzantine Asia
Minor (6th-12th cent.).. *Athens: Ethniko Hidryma Ereunon/ Instituto
Vyzantinon Ereunon,, 1998. First Edition. New ISBN: 9603710059. Collection
of papers (In English, Greek Frech and German) on various aspects of life in
Asia Minor during the 6th-12th centuries. 446p. $100.00
*Paliouras,Athanasios D. To Oikoumeniko Patriarcheio: He megale tou Christou
Ekklesia. *ill. Photographs : Garo Nalbandian. Geneva: Orthodoxo Kentro tou
Oikoumenikou Patriarcheiou,, 1989. First Edition. Hard Cover. Boxed. Fine /
Fine. ISBN: 9604290096. Gorgeous large format illustrated book about the
Ecumenical Patriarchate in Constantinople. 266 p. illus [This heavy volume
weighs 3kg / 6lb 10oz.] Book in fine condition protected by cardboard sleeve
which has some wear. A nice Gift Book ! $200.00
*Papoutsy, Christos. A Celebration of Greek Music . *Enfield NH: The Greek
and Near Eastern Publishing Company, 2009. 1st UK Edition. Soft Cover. New
Book from Publisher ISBN: 9781442153813. " .. a comprehensive resource about
Greek music and traditional folk dances , from ancient songs to modern folk
music and how to apply the theory of Eastern modes... there are 94 scores...
and 100's of Greek Lyrics to inspire you to play and dance .. with
traditional, contemporary and specially composed works. Illustrations
include the most well-known instruments that have accompanied Greek
orchestras through the ages." $40.00
*Skrobucha, Heinz. Icons in Czechoslovakia. *ill. Photographs Ladislav
Neubert. London: Paul Hamlyn, 1971. 1st UK Ed.. Hard Cover. Very Good / No
Jacket. ISBN: 0600020053. "This volume with its 60 superb colour plates
draws attention to the magnificent icons to be found in Czechoslovakia, but
which today are half-forgotten by the general public. The work is divided
into two groups: the first is a selection of typical icons from the 15th to
the 17th centuries in National Gallery of Prague. The second group consists
of over forty icons belonging to various museum collections and villages in
the Carpathian region in Eastern Slovakia." $22.50
*
Stamatopoulos. Kostas & Mellas, Akylas. Konstantinoupoli : Anazetontas Ti
Vasileuousa (IN GREEK). *ill. Photographs By Liza Evert, Dora Menaidi &
Maria Phakiki. Athens: Ekdoseis Lousi Batzioti, 1990. 1st Greek Ed.. Hard
Cover. Near Fine / Fine. ISBN: 960-7294-03-3. Large format illustrated book
about Constantinople, showing the architecture and life of the late
19th.century. 178p., illus (col) bibliography. Fine except for a small tear
on last end paper. Tucked inside is a folded copy of an old Greek map of the
city. Jacket has paper band announcing "Vraveio Akademias Athenon 1991"
$200.00
*Tomkinson, John L. Festive Greece : a Calendar of Traditions. *Athens:
Anagnosis Books, 2003. 1st Greek Ed.. Soft Cover. New Book from Greece ISBN:
960-87186-8-6 . (NEW : Book will be sent direct from the publisher in
Greece) A Calendar of Greek festivals and other observances throughout the
year, 'Festive Greece' is the only comprehensive and detailed guide in print
in English to the wealth of tradition accessible to the traveller in
Greece.Included in Festive Greece are in-depth studies of many of the more
exotic manifestations of popular culture: such as the mysterious figures
dressed in animal skins and sheep bells which roam the streets of many of
the towns and villages of Northern Greece during the winter and spring
carnival seasons; the many variations on the religious and popular
ceremonies of Holy Week and Easter; the fire-walking Anastenarides, probably
remnants of the ancient groups dedicated to the cult of Dionysos; the
bull-sacrifices of Lesbos; the annual appearance in church of the Virgin's
serpents in Kefalonia; and the annual services in honour of the Cross, held
in commemoration of a vision received during the German occupation, in
Metsovo.From proud military parades commemorating the trials and victories
of the modern state, to children's spring carol festivities which have
survived almost unchanged from ancient times, this beautifully illustrated
guide will provide you with a key to a more eventful stay in the country and
a better appreciation of its long and colourful past." 144P. Illus( col.)
$40.00
*Yiannacopoulos, Gregorios A. Smyrne - Opseis Ellenikotetas Kai Politismou /
Smyrna - Aspects of Greekness and Culture . *ill. Trans. Judy Yiannakopoulou
. Alimos: Ekdeseis Ephesos , 2001. First Thus. Laminated HC. As New
Himerologia 2002 - a large format [unused] desk diary and address book,
illustrated with lovely vintage postcards and photographs of Smyrna - a nice
nostalgic gift item. Unpaginated. $55.00
** *Zora, Popi. Embroideries and Jewellery of Greek national Costumes . *ill.
Translation: Christopher N.W. Klint, Helen Zigada. Athens: Museum of Greek
Folk Art /Mouseio Hellenikes Laikes Technes , 1981. 2nd Ed. Soft Cover. Fine
Beautifully illustrated book on Greek folk art embroidery and jewellery .
38p text + 58p f plates (some col) bibliography. $60.00
--
June Samaras
KALAMOS BOOKS
(For Books about Greece)
2020 Old Station Rd
Streetsville,Ontario
Canada L5M 2V1
Tel : 905-542-1877
E-mail : kalamosbooks(a)gmail.com
www.kalamosbooks.comhttp://kalamosb.alibrisstore.com/http://www.antiqbook.com/books/bookseller.phtml/kal